This takes time, but invariably sounds better than bludgeoning your vocal to death with excessive compression. How do you get a vocal to sit at the right level in a mix? You listen to the vocal level in the context of any instrumental backing, and make fader moves to keep the vocal balanced against the rest of the mix. Vocal Rider in action, showing the resulting automation exported to a Logic track. No matter how many compressors we own, when it comes to getting vocal levels right, there's no substitute for faders and hard work.
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